Grafitti Classics
About Grafitti Classics

Details

Performance: 1 x 30 Minutes or
1 x 60 Minutes

Backing: Live

Lights

Area: Worldwide

Graffiti Classics’ all-singing, all-dancing comedy cabaret adds a touch of class to any event.

16 strings, 8 dancing feet and 4 voices with 1 aim: to make classical music wickedly funny and fantastically exhilarating. Graffiti Classics bursts the boundaries of the traditional String Quartet with their hilarious musical comedy cabaret show.

Their unique party entertainment provides an exciting and hilarious alternative to the traditional string quartet. Graffiti Classics will be sure to inject laughter, joy and frivolity into your special day.

Tailored to suit your requirements, Graffiti Classics’ clients enjoy an amazing spectrum of musical styles, including classical, jazz, opera, folk, all performed with comical high-energy. No audience is too big or too small, the show works brilliantly in huge venues as well as in small intimate parties.

Graffiti Classics can play with full amplification or acoustically for a more intimate feel. They can play matrimonial classics during your ceremony and then liven things up later at the wedding breakfast with their full impact comedic show.

The perfect entertainment throughout your big day!

Video

Example Playlist

O Sole Mio

Can Can

Danny Boy

Carmen Overture

Drunken Sailors Hornpipe

It’s Now or Never

Rando Alla Turca

Hungarian Dance No 5

The Devil Went Down To Georgia

Plus Many More

 

 

 

 

 

 

 

 

 

 

Reviews

“Not only were they brilliant musicians but a fantastic comedy act as well. We were overwhelmed afterwards by people contacted us to say how much they had enjoyed the evening.”
John Gower

“A cabaret that will leave you wanting more.”
Daily Mail

“A terrific quartet…the fab four earned themselves a standing ovation with a scintillating repertoire.”
The Nottingham Post

“A brilliant evening – hugely talented musicians and real showmanship. Worked hard with the audience who gave a well-deserved standing ovation.”
Jane Hinnrichs

 

 

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